a woman catalogs a list of responses to a fire
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Her work could be described as collapsing the space between still life and portraiture, to the extent that it can often be read as still lifes of faces while simultaneously being read as a portraits of objects.
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Atlanta artist Hannah Adair’s work rides the line between cosmic landscape, mythological figure, and abstraction of the psyche as if those things are naturally all the same. It is an experiment in repetition and transformation, as she constantly shifts the meanings of form by reintroducing images in different contexts, always prompting reinterpretation.
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Who was it set for? There is evidence of them, humans. There must have been someone... although plates are set out as if for a guest, no chairs are available. There must have been someone? If not to sit, then, to set. The evidence of humans without their presence seems to place the paintings in an abandoned future scenario.
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Tepper is heavily influenced by the underbelly of American landscape, the billboard-strewn roads and strip malls which we often do not acknowledge as being part of our identity, for that would be to truly open ourselves up.
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